The Dream of the Blue Turtle Beans Part One

I hope Sting forgives me for borrowing part of the title of his album. All shall be made clear.

Been working pretty much solidly for the last couple of days on sorting out the back garden and the garden shed which had become unusable over the years. I am happy to report that I can actually walk into it and find things again as well as make things and put dye pots and such somewhere other than in the house or out in the back garden.

Was soaking turtle beans for dinner, when I got a comment to one of my blog articles from a lovely lady on WordPress who, I discovered has been making blue colours with black beans, I know these as turtle beans.
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I do a 24 hour soak with some Braggs apple cider vinegar splashed in before I cook them and make the best refried beans south of the northern hemisphere! I’ve been chucking the soaking water out for some time. After learning about making a dye with the beans I thought I would collect the bean soaking water and give the turtle bean or black bean dyeing a go. Had a quick internet search about doing this sort of dyeing. Asked this same WordPress friend about the importance of using Alum as opposed to nothing or vinegar. Determined that I would try all three things and document them. Seems the ph (definition of ph here) of the water determines what colour you get from the bean water too. You can get some amazingly nice blues, but you can also get greens and magentas from what I have read in other peoples documentation.

I’ve usually used vinegar as the mordant when I am dyeing things or in the case of the woad, stale urine but I do have alum too. I thought I would go with white vinegar for the first trial.

I strained the bean soaking water (which is distilled water with a splash of Braggs apple cider vinegar and the bean juice)and put it into an Ikea jar. The water doesn’t look very inspiring. Sort of a murky purple grey black.
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Meanwhile I soaked some merino wool top in tap water with vinegar for about 20mins. Then I gently squeeze the vinegar out of the wool and have put it into the bean juice and closed up the lid. I guess its going to ferment. I wasn’t really expecting a blue because of the acid ph from the vinegar.

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So what colour did I get in I the 48 hour period?
Well, I got a grey, It’s grey out in the daylight and purple grey bordering on lilac in the artificial light see the pictures below. I suspect when it is spun the colour will be more apparent.

Ok so the earth didn’t move for me. It was a test using vinegar which I couldn’t find any tests for in regards to turtle beans and I now know what happens. The next test when I am next soaking beans will be with alum prepared wool.

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About Gutes, Gotlands, Vikings & Hobbits; Sheepishly unravelling the confusion.

In the Baltic sea there is an island and that island is called Gotland.
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It was the home of an ancient people called the Gutes.

Wikipedia tells me:

Because of Gotland’s central position in the Baltic Sea, from early on the Gutes became a nation of traders and merchants. The amount of silver treasures that have been found in Gotlandic soil during the Viking Age, surpasses that of all the other Swedish provinces counted together, which tells of a traders’ nation of indisputable rank among the Norse nations.The Gutes were the leading tradesmen in the Baltic sea, until the rise of the Hanseatic League.

The Gutes were both yeomen farmers and travelling merchants at the same time, so called farmenn. This was an exceptionally dangerous occupation during the Middle Ages, since the Baltic Sea was full of pirates. The Guteish farmenn always had be ready for battle. The division and organisation of the early Guteish society shows a nation constantly ready for war. The “Ram” seems to have been an early symbol for the Gutes, and is still seen on the Gotlandic coat of arms.

This Ram symbol is most likely of the native horned sheep on the island called The Gute (Swedish: Gutefår). See below.

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Photo by Martin Olofsson

The Gute is the most primitive sheep breed native to Sweden. Thus, I can conclude that this wool was most likely worn in the Viking Age. If you are interested in spinning and weaving Viking Age cloth you probably want some of this wool.

Are you with me so far?

As time progressed to the 20th century, the islanders cross bred their Gute/Gutefar sheep with with Karakul and Romanov sheep during the 1920s and 30s. This resulted in the modern Gotland (Swedish: Gotlandsfår) breed.

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Photo by PeterHasselbom

The Gotland, also called the Gotland Pelt (Swedish: Pälsfår), were named after the island in the Baltic Sea called Gotland that we started with. These are a modern breed of sheep descended through cross breeding from the Gute sheep. This fibre was worn by actors playing Hobbits in Peter Jacksons Lord of the Rings Trilogy. If you want a groovy modern wool and want to spin and weave cloth for a magical elven cloak you probably want some of this wool.

I’m after Gute fleece for Viking living history, fibre purposes and if you could help me that would be very Gute!

Viking Age and Living History Wools in General

Getting wool from local sheep in Australia which the Vikings may have worn around 700AD onwards isn’t viable. Our breeds of sheep are very well up the evolutionary line. The first breeds of sheep documented in Australia were only arriving in the late 1700s http://www.sl.nsw.gov.au/discover_collections/history_nation/agriculture/produce/wool/ and were Spanish Merinos and South African fat tailed sheep. To my knowledge there are none of the Swedish or Norwegian Ancient breeds here but there are some Finn sheep. (I would love to here from any sheepy people who are raising ancient breeds because I would probably want your wool ) So what was a girl into ancient vikings from Staraya Ladoga http://en.m.wikipedia.org/wiki/Staraya_Ladoga in 700AD to do?

I was pretty sure the wool was going to be a heck of a lot different from what the modern world appreciates as wool and many Aussie re-enactors and living history people and I was quite right. Below is a picture of Spelsau Wool and Merino wool after they have been washed and then after they have been combed. The Merino is the lighter, finer wool. IMG_3931.JPG

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If you are serious about accurate living history you really have to think about the wools that were around at the time and I set out to look into this area which seems to have been neglected all the way down here in the Southern Hemisphere amongst those interested in this educational hobby. I don’t think people mean to, I just don’t think anyone stopped to think about the breeds of wool around in their chosen time periods. For many, wool is wool and they are unaware or unconcerned about the providence of their wools. I sat down and thought that perhaps I could do some of the leg work and some of the hard yards and even make these more accurate fibres available. I sat down to write this to introduce the subject and damn the torpedoes. I’ve got a much longer journey ahead and I would appreciate your help.

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So the first ancient breed I was able to get some wool from was the Icelandic sheep. http://en.m.wikipedia.org/wiki/Icelandic_sheep Evidently this breed has been in Iceland since the Vikings bought them there. It’s a long way from Staraya Ladoga. It’s a long way from anywhere but the creatures have not had too much chance to interbreed with other sheep breeds however they arrived much later than the 700s from what I have read. It’s an interesting hairy wool and spins very nicely on a drop spindle but wasn’t quite my period, I noticed they descended from sheep in Norway but I put that on the back-burner. I Nålebinded http://en.m.wikipedia.org/wiki/Nålebinding some socks http://www.joanna-molloy.com.au/Joanna_Molloy/Viking_Socks.html with it and I made viking leg wraps with it which sold on ETSY as soon as I put them there. Here is a picture of them

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Next I tried to get some Russian sheep wool, the type I could find was Romanov sheep http://en.m.wikipedia.org/wiki/Romanov_sheep and I am not really sure how long this breed has been in Russia it seems they were only noticed in the 1800s. Not helpful. Not enough info and I can only translate so much Russian Cyrillic with Google translate. Still not happy but I played around with it, spun it on a drop spindle and then woven it on my floor loom into a beautiful shawl. Which is up on ETSY https://www.etsy.com/au/listing/200178406/earth-shawl? for those interested.

Then I found a lady from Norway who was able to provide me with Old Norwegian Spelsau http://en.m.wikipedia.org/wiki/Spælsau and wild Norwegian sheep wool. This is another very interesting hairy wool that spins well and has long hair and wooly fibres. I spun a whole swag of that on my drop spindle and then wove a herringbone patterned shawl out of that. This one is not on ETSY its in my living history kit and comes out for exhibitions. Im rather proud of it. It is pictured here.

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I really am pretty happy with this wool, but its not from Sweden, and there seems to be evidence that Vikings who were hanging out in Staraya Ladoga were most likely Swedish.

I have been patiently waiting for a Swedish contact to move house and get back to me as she knows someone who has ancient Gutefår http://en.m.wikipedia.org/wiki/Gute_sheep sheep and may be able to provide me with some, that will probably be the closest wool I can get to something that may have been worn by Swedish Vikings in Staraya Ladoga around 700AD. Phew. Mad I hear you say, well just a bit :). I really want to know what the wool and the fabrics were like.

I also inadvertently came across another reason why people doing re-enacting and living history might look at their woollens more closely. If there is no demand for supply, these ancient breeds will die out. I recently purchased a DVD from a fibre lady, Debra Ronson, to supplement my interest in ancient wools. She has made a little video promoting her DVD but she pretty much sums up the importance of rare wools as passionately as I would have to say on the matter so I will let her explain it to you here. http://youtu.be/zG8-zx3gt4M

Madder Springs Forth

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It’s another beautiful spring afternoon and I’ve just been out in the front garden checking my Madder plants. More about Madder here http://en.m.wikipedia.org/wiki/Rubia_tinctorum.I’ve had them in the ground near on three years now. Each year they sprout out of the ground look lush and green and take over their allocated garden nook and then die back to brittle, detritus. In the picture you can see them phoenix-like, bursting forth from the warming ground. They are weirdly clingy plants that grab at your hands and clothes with their rough foliage, but its not the apparent, green leaves that I am interested in.

I am especially excited about this years appearance because three years in, is the minimum time to harvest their roots, cut them into small sections and dry them to prepare them to make an ancient red dye. I am leaving some in the ground so they can continue to expand their planty empire, regardless of the horrendous sacking which will occur. This rather uninspiring photo below, which looks like odd coloured coffee grinds is what I hope to grind the roots into and then embark on some ambient temperature dyeing.
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From my studies I think I have determined that low temperatures and more alkaline waters have a great deal to do with getting reds, rather than browns and oranges. I also know that South Australian soils seem to have a lot of limestone in them, hence calcium carbonate, which I am led to believe is also important for redder reds in the natural dyeing process. I also built a small limestone drywall around my front garden plot (you can see some of the rocks in the first picture) so that these plants might partake in some of their mineral goodness. Do you get the idea I really would like red, reds? The truth will be in the testing.

Vikings and Linen and Woad Oh My!

When you are interested in Living History you do things you never thought you would, like getting your son and husband to urinate in a bottle for science. Historically there seems to be a tradition of pubescent boys being the best source, and references to collection spots outside pubs. I can’t really see the girls getting into the act as we are not really endowed with the ability of “ahem” directional streaming and were waylaid with long dresses and skirts for a great deal of history. No, I’m not taking the piss….well, yes I am actually, a whole bucket of it so I can ferment it with woad. Woad is an interesting plant. More about it here http://en.m.wikipedia.org/wiki/Isatis_tinctoria

This little green plant after much hard work imparts a blue dye. Fortunately there are amazing ladies like Teresinha Roberts at http://www.wildcolours.co.uk/html/about_us.html who grow and make the powdered dye. For this experiment I have her to thank for the preprepared powder. I do have woad seeds and I will have a second go at growing them. ( I really don’t think they like Australian summers, not in my front garden anyways.) I should get planting them really soon.

Needless to say you want to do this fermenting process, outside and as I live quite close to a couple of other units, with a lid firmly on when you are not out checking that all is going well. That stinky pot, reeking of ammonia and gradually changing from a dark navy blue to a sickly blue green and producing a shimmering copper scum on the surface when ready is full of historical magic and produces one of mans oldest colours. I am going to pictorially document this for you all once it warms up more. I promise.

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These sober squares of raw linen were to answer for myself questions about dyeing linen. Viking era peoples apparently coloured their linen at times. This is just one ref I can find after a quick google that talks about blue linen. http://urd.priv.no/viking/serk.html and there are more. There still seems to be some sort of idea linen will take no natural dyes. I still think many people didn’t bother or if they did it was there very best garments Many people probably just settled for the raw colour because the effort involved in dyeing the raw linen blue or bleaching linen to then dye it blue would have taken some considerable time and effort (this is possibly modern lazy think). However the more I look into the past the more I admire our ancestors in their ability to produce beautiful cloth, colours and clothing, (which many of us credit card slinging consumers wouldn’t have the first idea how to do) the more I think they were quite sophisticated and go get em, even if they didn’t have the internet, smart phones or think digital watches were still pretty neat. But I digress.

So , I’m in South Australia, as far from flax cultivation as you can be, and to get some linen you need to grow flax. Historically it did used to be grown in Victor Harbor, Aldinga, Willunga etc in South Australia in 1872 and probably later http://trove.nla.gov.au/ndp/del/article/39262299but alas no more. I was going to have to settle for some imported Swedish raw linen for the experiment, already woven. I gave it a bit of a wash and proceeded to experiment with the fermented woad and urine sig vat. These were the results I got. I need to do more testing but these squares kept a great deal of the colour after being thoroughly washed of the pissy smell – I may have continued dipping for another 5 days to see if things got any darker but ran out of squares. Dyed, blue, linen is possible with no heating involved apart from the ambient heat on a warm day. This is blue over a raw unbleached linen. I am yet to test with a bleached linen but I imagine that the blues would come out beautifully bright.

As Spring warms the place up here I am game to do more tests.

Just found the reference that gave me a lot of insight and got me going on this whole thing http://invention.smithsonian.org/centerpieces/whole_cloth/u3tc/u3materials/natdye.html

Tapestry Beginnings

Yesterday I got my first ever tapestry started on a four shaft, table loom.

I’ve decided to use natural linen for the warp and wool bits and pieces I have around the house for the weft. Since it is my first one I am not expecting to set the world on fire and I am not going crazy with spending hours on predetermining colours, designs etc but if what I chose to weave works out it should look good.

It appears to be working so far, although I reckon I have chosen a pretty fine weave. I certainly don’t have all the professional tools and bobbins yet but I am making do and apart from glancing at books, a few you tube videos and a basic weaving background, my knowledge is pretty basic. I still quite don’t know how one attaches a cartoon when weaving in this manner but I am coping. Please be gentle with me oh more experienced tapestry artists of the world.

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